The Institute of the Complex Aisles
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Airports.
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WALL OF WONDERS. 2015
Wall of Wonders. Intro. Wall of Wonders is a project that I developed along two parallel lines: partly, as a personal practice/reflection about my work; a process of personal emancipation that culminated in the show Wall of Wonders in La Taller. The other line of work in this format, meanwhile, aims for a common/participatory approach and is conceived not just as an interaction and education support for visitors to museums and the works displayed in them, but also to capture their voice. This project began its development in 2014 in ...
SCIENCE IS FICTION. 2008-2011
Science is Fiction (An animal obsession). Science is fiction: This part of the title is taken from a book* that examines the work of Jean Painlevé, a director of science documentaries who, amongst his other accomplishments, was the first to film the male sea horse in the act of giving birth. The publication you are holding is meant to act as a book-cum-album that captures the experience of a project-experiment carried out in the Donostia-San Sebastian Aquarium, and which I’ve been working on for two years. It began with the film ...
Time&Fear
Time&Fear. During the last years, I developed my work though drawing. In a world defined by high resolution media, through images that are understood as information, drawing allows us to suspend the "representation" of the world, and instead offer the viewer a personal translation of what surrounds us, in low resolution. The differences from other technological languages, is that drawing allows me the to create a model though which I can think the present, and the future under different parameters than the on going progress model of modernity. In these drawings, the Airports ...
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Preformatted In this text, it is important to differentiate the two meanings of the Spanish word “forma” which correspond to their English equivalents shape and form. The former refers only to the visible or tangible material shape, while the latter alludes to the configuration, encompassing here what is structural and not directly observed by the senses. Introducción a la versión española de Arte y percepción visual , R. Arnheim. Alianza Forma, 1981. “A creative act, a work of art can reach completion only through the dialogue with the viewer, that ...